For Christmas, I decided I wanted to paint a picture for my card. I’ve not really painted much, and most of what I have painted, I’ve not been very happy with. I’ve dabbled, occasionally, in plain pencil drawing — more often tracing over the outline from a photo and then practicing paying attention to shading. And people have told me, maybe more often than I realize, that I showed artistic leanings that just needed to be developed, and that I should taking drawing and such more seriously. But it’s work, and I don’t have time for work, so I mostly did nothing.
Anyhow, the Christmas card — since I had this idea in my head, very vividly, I decided I had to take this project seriously. So I did what I’ve seen described a million times before. I folded my reference photo in to a grid, and then drew a grid on my watercolor paper. Then I looked at each grid individually, and tried to represent what was in there. I was running out of time, so I only had two sessions to paint it — once for the general idea, and then again to build on details.
And you know what? The thing came out fantastic. I kind of didn’t even recognize it as my own handwork. Because when I actually applied some discipline to my efforts instead of slap-dash hurried attempts, well, who knew? I actually had some sort of talent buried in there after all.
Lately I have been thinking about my writing. Well, not really thinking about it, as much as finding it is on my mind, but having no clearly defined thoughts on the matter. The thing is, I’ve never really thought about my writing before. I’ve always just done slap-dash hurried attempts, and never really gone back to edit or refine. Never really did base planning work. It served it’s purpose in the moment, and it was good enough for me, but I’ve never really tried to apply discipline to it.
In the last few days, especially, I’ve been stumbling over half-birthed poems I’ve scribbled down places. Kind of tantalizing, but also the epitome of not really knowing what I’m doing. I need to find some sort of online course that walks you through the basics of poetry, of meter, of how to do on purpose that which I’ve only sort of felt around in the dark and taken a gut guess at.
The thing is, I don’t have anything at the moment that I desperately want to say. This is perhaps even one of the roots of my worrying over my writing — it’s not like me to feel at a loss of words, which I have for months. But I can’t escape the feeling that, like my painting, if I just applied some actual effort and discipline, I would be a good deal more impressed by what was revealed. And also, another disquieting feeling — that writing slap-dash wouldn’t be satisfying anymore. That it served it’s purpose, for it’s time, and will likely continue to serve in some kind of role. But that it’s no longer enough of a challenge to be amusing. That now I have to be writing “on purpose” to get that same feeling of satisfaction.
It’s a bit of the chicken-or-the-egg problem, though. First I feel like I need to have a topic (and perhaps an audience) important enough to deserve a little extra effort. For my painting, it was a Christmas card. It doesn’t have to be a big deal. But it does have to be more than a passing whim. One would think if the corollary were just a Christmas card, it wouldn’t be hard to come up with a topic worthy of effort. But I feel like I have nothing important to say, and my mind feels pitifully blank.
I don’t know where I will wind up with all of this, of course, but I feel like the prodding is getting more frequent and more meaningful. You have something here. You ought not ignore it. Put some discipline into it.
Okay. I will. But for now, I think still at the spot of waiting for the idea that’s worth the work.